Saturday 7 March 2009

Bercke Plage


Bercke Plage

Bercke Plage at the south of Pas d’Callais is ordinary. Out of season run down near unchanged faded resort:Yet so very French. The main street is dreary and the hotels typically dated. Alighting from the bus from Etaples, a sanitary orthopedic shop window display is clearly unchanged since Sylvia Plath may have glanced in to it. So walk the beach to Stella Plage and Le Torquet Paris Plage: Some 15 miles north. Giant waves of chalk hills inland define the coast up to Bulougne and Dunkirque.

Friday 27 February 2009

Edge - "The illusion of a Greek necessity"

Edge

The woman is perfected
Her dead

Body wears the smile of accomplishment,
The illusion of a Greek necessity

Flows in the scrolls of her toga,
Her bare

Feet seem to be saying:
We have come so far, it is over.

Each dead child coiled, a white serpent,
One at each little

Pitcher of milk, now empty
She has folded

Them back into her body as petals
Of a rose close when the garden

Stiffens and odors bleed
From the sweet, deep throats of the night flower.

The moon has nothing to be sad about,
Staring from her hood of bone.

She is used to this sort of thing.
Her blacks crackle and drag.

Saturday 14 February 2009

Slack Road Heptonstall Yorkshire

Hardcastle Crags (1957)

Although this is called Hardcastle Crags its more like Sylvia Plath walking out of
Heptonstall along Slack Road

"Flintlike, her feet struck
Such a racket of echoes from the steely street,
Tacking in moon-blued crooks from the black
Stone-built town, that she heard the quick air ignite
Its tinder and shake

A firework of echoes from wall
To wall of the dark, dwarfed cottages.
But the echoes died at her back as the walls
Gave way to fields and the incessant seethe of grasses
Riding in the full

Of the moon, manes to the wind,
Tireless, tied, as a moon-bound sea
Moves on its root.
Though a mist-wraith wound
Up from the fissured valley and hung shoulder-high

Ahead, it fattened
To no family-featured ghost,
Nor did any word body with a name
The blank mood she walked in.

Once past
The dream-peopled village, her eyes entertained no dream,
And the sandman's dust
Lost lustre under her footsoles.
The long wind, paring her person down

To a pinch of flame, blew its burdened whistle
In the whorl of her ear,
and like a scooped-out pumpkin crown
Her head cupped the babel.
All the night gave her, in return

For the paltry gift of her bulk and the beat
Of her heart, was the humped indifferent iron
Of its hills, and its pastures bordered by black stone set
On black stone. Barns
Guarded broods and litters

Behind shut doors; the dairy herds
Knelt in the meadow mute as boulders;
Sheep drowsed stoneward in their tussocks of wool, and birds,
Twig-sleeping, wore
Granite ruffs, their shadows

The guise of leaves.
The whole landscape
Loomed absolute as the antique world was
Once, in its earliest sway of lymph and sap,
Unaltered by eyes,

Enough to snuff the quick
Of her small heat out, but before the weight
Of stones and hills of stones could break
Her down to mere quartz grit in that stony light
She turned back"

Sculptor (1958) by Sylvia Plath

Sculptor (1958)

"To his house the bodiless
Come to barter endlessly
Vision, wisdom, for bodies
Palpable as his, and weighty.
Hands moving move priestlier
Than priest's hands, invoke no vain
Images of light and air
But sure stations in bronze, wood, stone.
Obdurate, in dense-grained wood,
A bald angel blocks and shapes
The flimsy light; arms folded
Watches his cumbrous world eclipse
Inane worlds of wind and cloud.
Bronze dead dominate the floor,
Resistive, ruddy-bodied,
Dwarfing us. Our bodies flicker
Toward extinction in those eyes
Which, without him, were beggared
Of place, time, and their bodies.
Emulous spirits make discord,
Try entry, enter nightmares
Until his chisel bequeaths
Them life livelier than ours,
A solider repose than death's."

Wednesday 11 February 2009

Mirror

Mirror

"I am silver and exact.
I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful--- The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles.
I have looked at it so long I think it is a part of my heart.
But it flickers.
Faces and darkness separate us over and over.
Now I am a lake.
A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars,
the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her.
She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl,
and in me an old woman
Rises toward her day after day,
like a terrible fish."

"Southward Over Kentish Town"

"Parliament Hill Fields

On this bald hill the new year hones its edge.
Faceless and pale as china
The round sky goes on minding its business.
Your absence is inconspicuous;
Nobody can tell what I lack.
Gulls have threaded the river's mud bed back
To this crest of grass.

Inland, they argue,
Settling and stirring like blown paper
Or the hands of an invalid.
The wan Sun manages to strike such tin glints
From the linked ponds that my eyes wince And brim;
the city melts like sugar.
A crocodile of small girls
Knotting and stopping, ill-assorted, in blue uniforms,
Opens to swallow me.
I'm a stone, a stick,
One child drops a barrette of pink plastic;
None of them seem to notice.
Their shrill, gravelly gossip's funneled off.

Now silence after silence offers itself.
The wind stops my breath like a bandage.
Southward, over Kentish Town,
an ashen smudge Swaddles roof and tree.
It could be a snowfield or a cloudbank.
I suppose it's pointless to think of you at all.
Already your doll grip lets go.
The tumulus, even at noon,
guards its black shadow:
You know me less constant,
Ghost of a leaf, ghost of a bird.

I circle the writhen trees.
I am too happy.
These faithful dark-boughed cypresses
Brood, rooted in their heaped losses.
Your cry fades like the cry of a gnat.
I lose sight of you on your blind journey,
While the heath grass glitters and the spindling rivulets
Unspool and spend themselves.
My mind runs with them,
Pooling in heel-prints,
fumbling pebble and stem.
The day empties its images Like a cup or a room.
The moon's crook whitens,
Thin as the skin seaming a scar.

Now, on the nursery wall,
The blue night plants,
the little pale blue hill
In your sister's birthday picture start to glow.
The orange pompons,
the Egyptian papyrus Light up.
Each rabbit-eared Blue shrub behind the glass
Exhales an indigo nimbus,
A sort of cellophane balloon.
The old dregs, the old difficulties take me to wife.
Gulls stiffen to their chill vigil in the drafty half-light;
I enter the lit house. "

Tuesday 10 February 2009

"on the morning of February 11, 1963"

"on the morning of February 11, 1963"